Robinson McClellan, composer: www.robinsonmcclellan.comRobinson McClellan, composer
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The Woman Turns Herself into a Fish

for 2 sopranos and alto

buy this track on Robinson McClellan - Music By Robinson McClellan - The Woman Turns Herself Into a Fish

Flight of the Earls
concerto for uilleann pipes (excerpt):



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About Robin McClellan

NEWS:

--> Robin's music for purchase on Robinson McClellan
Soon to be on Amazon's MP3 store too!

--> Music by Heart, a 2008 hymnal containing several of Robin's congregational worship songs, is AVAILABLE from Amazon

Robin's music can now be heard on Last.fm

--> Prodigal Songs received its second performance on May 22 and 23, 2009 in San Francisco, presented by Goat Hall Productions (see their website for details)

--> Robin's research on rhythm in pibroch will be published by Ashgate as part of a scholarly anthology (available late summer 2009)

--> Among the Signs was presented by Chicago Choral Artists, conducted by Donald Nally, on March 7th and 8th, 2009

--> Lament for the Flowers, Robin's first pibroch composition for the Highland pipes, received its premiere on March 12, 2009 by Matt Welch at Issue Project Room in NYC

--> Robin's work was discussed in a lecture by Carson Cooman at Harvard in early February, 2009

--> Robin's Nativity Kontakion, a commission from Greek baritone Nektarios Antoniou and his Boston-based choir Schola Cantorum for Byzantine Music, will be premiered in Fall 2009 - Details TBA

--> Robin's choral piece Dreaming in Darkness was the title work in a presentation by Luminescence at Indiana University on December 12 and 13, 2008

--> ActorCor returned January 18, 2009 at All Souls Unitarian Church in NYC. The program featured Among the Signs and other music by Robin (Robin is ActorCor's composer in residence)

--> An article about the El Salto project appeared in New and Borrowed Rites, the winter 2008 issue of Liturgy magazine

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Robinson McClellan, composer

"Mahogany music..."

- Gabriela Frank, composer

 

"Take McClellan's music as a reminder and a gentle
admonition that no matter how ancient the music,
the door to reinterpretation is never shut. McClellan
pulls new life from centuries-old choral styles, drawing
on their native spiritual power and recasting them in
the haunting arrangements of the new avant-garde."

- Editor, Download.com

 

"[Flight of the Earls was]...a hit with the crowd..."

- Geraldine Freedman, Daily Gazette (Schenectady NY)

 

"...a vivid sense of atmosphere and
narrative force...the audience loved it."

- Michael Miller, Berkshire Review

 

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